81 x 81 cm | 31 x 31 in
Original painting in oil, acrylic and ink on canvas, (including a small figurine standing on the lowest horizontal stretcher) presented in a simple wooden frame.
"In recent years, the term Blood Moon has become popular when referring to total lunar eclipses. When the Earth eclipses a full Moon, the direct sunlight is blocked, but the sun's rays still light up the moon. This light, however, has travelled through the Earth's atmosphere first, and sometimes causes the totally eclipsed Moon to look an ominous blood red. The recent rare occurrence of four blood moons in a row (2014-2015) has been rare and some say prophetic, signifying profound change."
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Selected for for Sky Arts Portrait Artist of the Year 2017, John Moores Painting Prize 14, Lynn Painter-Stainers 15. Pre-selected for; Royal Society of British Artists 15, BP Portrait Award 15.
David OMs skyscapes and telescopes communicate a huge sense of scale. Observatories ogle upwards like giant eyeballs, and miniature figurines gaze outwards through trompe d'oiel windows - created by the frame that stretches the canvas. Showing us the back of the canvas in this way suggests that the image lies somewhere in the infinite yonder.
There is a sense of dignified Zen-like detachment to much of David OM's work, many of his compositions function through minimalism and juxtaposition clarified through studious and critical practice. At the core of his work oscillates a pure sense of wonder alternating with a cold nihilism. His art often interacts with space science and astronomy whilst incorporating a metaphysical subtext that enables subject matter to assume new (often existential) symbolic meanings.
Astrophysics and figurine art are both subjects that capture the public imagination at present. Brian Cox meets London street artist Slinkachu with these playful reflections on the universe.