University: Masaryk University
Graduation Year: 2015
Employing a unique language of abstraction with a fresh take on landscape painting, Dominika Prinzova seeks to represent her subject matter on a macro level through the power of suggestion. Thrilling flashes of saturation emerge as moments of clarity from her otherwise enigmatic, muted and small-scale compositions. Prinzova's concern with the visual rather than narrative information provided by her subject allows her to recontextualise her subject: embracing its mystery by implementing moments of full abstraction and playing with an upside-down orientation. A vagueness in the work allows the viewer to latch onto a recognisable stroke, colour or feeling, as these single elements begin to stand in for the pursuit of representing the perhaps unrepresentable entirety of any particular subject.
In my work, I seek to get beyond the superficial appearance of things. I look at a variety of subject matter, at the moment landscape and figuration. I am more interested in suggestion rather than literal narration: the visual aspect always excites me more than the narrative background; an element of mystery, unspoken lines suggesting the whole mass, the whole space, a core which is hard to comprehend except through the means of visual art.
“Where does one object end and the other begin?” has been a recurring question of mine.
(2019) 44 Hallam street residency, 44 Hallam street, London
(2019) Winter salon, Leyden gallery, London
(2018) Platform for Emerging Arts#19, Leyden gallery, London