“Someone recently told me that my work always made him feel like he had to finish it off, and that it never even had the decency to ask. I can live with that.” – Scott Robertson.
New Blood Art wouldn't be possible without the incredible arts institutions across the UK. The passion of the fantastic tutors, lecturers and the course...
We’ve got two new artists to introduce this week, with some exciting qualities I’m pleased to share with you. As you probably know, the degree shows...
The innovative technique Sarah MacFarlane has developed to create her work is immediately striking. The ruched surface of her landscapes comes...
This week’s emerging artists show fantastic sensitivity to the possibilities of their medium – applied in very different research directions...
Delighted to introduce to you new artist Christina Kim-Symes. I came across Christina’s work earlier in the year at the Wimbledon School of Art degree...
My constructed objects refer to paintings in a broader sense. I am interested in pushing the limits as to how far my objects can still be considered paintings...
Representing icons from the golden age of Hollywood, Jody Little reflects on the prevailing mysticism surrounding figures who no longer have a physical...
Jagged patterns, dragging brush strokes, and sheets of colour, intertwine and vibrate against each other in the abstract landscape paintings of Jasmine...
Not unlike early cubism, David McConochie experiments with form through dramatic fragmentation - his images of landscapes are arranged into grid-like...
Selected for 2018 RSA New Contemporaries, David Rae is part of a growing interest in the possibility of unspoken narratives through the use of realism...