University: Bath Spa University
Graduation Year: 2024
Xia Smith's work delves into the complex realm of dissociation and trauma, exploring how past experiences manifest physically in the body. Through a unique blend of fine art and tattoo culture, Smith creates a powerful visual language that speaks to the fragmented nature of memory and identity.
Smith's artistic practice is deeply rooted in the concept of embodied experience. By employing mediums that mimic tattooed skin, such as Japanese silk painting and actual tattoos, she metaphorically represents how life experiences become indelibly etched onto our being. This innovative approach bridges the gap between traditional fine art and body art, challenging conventional notions of artistic mediums.
The artist's compositions are characterised by dreamlike symbolism set against serene blue-lilac void landscapes. This juxtaposition creates a palpable tension, inviting viewers into a world where reality seems just out of reach. Smith's masterful use of colour lulls the audience into a false sense of comfort, only to reveal unsettling undercurrents beneath the surface.
Each piece in Smith's body of work contributes to a disjointed narrative, mirroring the fragmented nature of traumatic memories. The artworks function as puzzle pieces, hinting at an uncanny revelation that remains tantalizingly out of grasp. This approach effectively captures the essence of dissociation, where one's sense of self and reality become disconnected.
Smith's exploration of psychological phenomena through visual art offers a profound meditation on the human experience of trauma and resilience. By merging elements of tattoo culture with fine art techniques, she creates a unique aesthetic that resonates with contemporary dialogues about identity, memory, and the body as a canvas for lived experience.
As a recent graduate of Bath Spa University and an established tattoo artist, Xia Smith emerges as a compelling voice in contemporary art. Her work not only demonstrates technical skill across multiple mediums but also offers a deeply thoughtful exploration of complex psychological states, positioning her as an artist to watch in the coming years.
Through dreamlike symbolism tied with mediums representing the body's physicality, my artwork explores the psychological phenomena of dissociation and how past experiences are carried physically in the body. Dissociation is a mental process in which an individual becomes disconnected from their thoughts, feelings, memories or sense of identity. It usually exists as a coping mechanism for trauma. Guided by an influence of tattoo culture, I use mediums which mimic tattooed skin such as Japanese silk painting and even tattoos themselves. Through this, I position the idea of design on skin as a metaphor for the experiences we take with us through life. Specifically, the work focuses on how trauma can manifest as the surreal phenomenon of dissociation. My work employs borderline surreal imagery painted onto a void landscape of serene blue-lilac hues to build the feeling that reality is just out of reach. In my work the viewer may feel comforted by the gentle colour palette, only to realise something unsettling lurks beneath the surface. Typically I create bodies of work which build a disjointed narrative that connects to fragmented memories. The artworks act as pieces of a puzzle that forebode an uncanny revelation, that although alluded to is never quite revealed.
(2021) Simulacrum, Online, England
(2024) Paracosm, Centre Space Gallery, Bristol, England
(2024) Potluck, 44ad, Bath, England
(2024) Bath Spa Degree Show, Locksbrook Campus, Bath,
(2024) Queer Feminist Joy Exhibition, The Ledward Centre, Brighton, England
(2023) Prism プリズム, Seian Gallery Space, Shiga, Japan
(2022) We Are Normal 私たちは普通, Horikawa Oike Gallery, Kyoto, Japan
(2022) Pale Pink Works of Art, Dare Shack, Bristol, England
(2022) Out of the Ordinary, The Island, Bristol, England
(2022) me & you, us & them, The Michael Pennie Gallery, Bath, England
(2021) From a Box to a Cube, The Michael Pennie Gallery, Bath, England
(2019) End of the World, Bower Ashton Gallery Space, Bristol, England