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Margaret Ashman

Degree: MA Printmaking
University: University of Brighton
Graduation Year: 2005

Education

MA Printmaking, University of Brighton (2005)

Selected exhibitions

Solo Exhibitions
(2020) New Works, Yukiko Nagai, Shibuya-Ku, Tokyo
(2019) Higher Ground, Muse Gallery, London
Group Exhibitions
(2020) London Original Print Fair, Royal Society of Painter Printmakers, Online
(2020) RE Original Prints, Bankside Gallery, Online
(2020) 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich
(2020) Printmakers Council, Scarborough Art Gallery, Scarborough
(2019) The Poetics of Otherness, Pratt Institute, Brooklyn, New York
(2019) Print Fest, Algarden, Sweden
(2019) Summer Exhibition, Royal Academy of Arts, London
(2019) Flow, Gallery 57, Arundel
(2019) A Silent Space Between, Gallery 57, Arundel
(2018) ING Discerning Eye, Mall Galleries, London
(2018) National Original Print Exhibition, Bankside Gallery, London
(2018) International Triennial of Contemporary Graphic Arts, State Art Museum, Novosibirsk
(2018) Memory, Royal Overseas League, London
(2018) Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada
(2018) Impress III, Fisherton Mill, Salisbury
Competitions, Prizes & Awards
(2019) Lawrence's Art Award
(2017) Hot Bed Press Purchase Prize
(2017) London Print Studio First Prize Summer Show
(2015) Arts Council Award
(2012) Intaglio Printmaker Award
(2011) International Print Prize, 3rd Guanlan International Print Biennial
(2010) Art of Giving National Art Competition Finalist
(2004) Julian Trevelyan Memorial Award

Artist statement

The dancers depicted are performing to worship songs; their gestures are full of emotion and passion. Margaret often chooses Japanese titles for her works, for the richness of meaning and the sound that the words make. For example Ogamu means pray, adore, venerate; Nayami means agony or anguish. Naku means cry or sing.

I strive for a spiritual elegance and simplicity in my finished works, in contrast to the lengthy, complicated process of making. Sometimes a poem or phrase or idea is given to the dancer as a starting point, from which the work evolves. Further layers add new constructs until the etching process translates the final image into a coherent whole, with rich textures and delicate colour combinations.