Storyteller in the Dark

Stray Cat by Rosemary Burn, £450

It’s a natural human trait to find stories in the world around us. From justifying our experiences with “everything happens for a reason” to pointing out shapes in cloud formations, creating a narrative is both instinctual and imaginative. Neuroscientists have even named this tendency ‘pareidolia’; the human ability to see shapes or make pictures out of randomness. Even in music, there’s the wonderful sounding mondegreen — a misinterpreted (but still meaningful) phrase resulting from a misheard song lyric. No matter the level of clarity and no matter how much is revealed to us, mistakes become a thing of play and thrill where we get to improvise meaning from whatever we’ve got.

Boxing Boys by Keren Luchtenstein, £2500

Art is no exception. Often the more mysterious the work, the more narrative that can be imbued in the cracks and silences. This curation was informed by this, as our Director Sarah says of the works: “They have something of that almost half light about them, with hidden depths, texture, and richness. Qualities that can give a piece narrative”.

Untitled (Silhouette) by Ed Saye, £250

For example, Tom Hemming’s “Cornish Interior” literally holds space in the warm half-light of a cosy early evening. The figure’s identity is in flux, Hemming using dynamic ribbon-like brushstrokes, perhaps in reflection of the busy mind in contemplation, even as the setting appears outwardly calm. Or Charlotte Brisland’s gorgeously sinister “Soft Cream”, which creates a dreamlike playground for the mind to roam. Mapping an orange sundown and vacant diner-stop in the woods, Brisland works in the whims of Americana with the depth of private mystery. 

Cornish Interior by Tom Hemming, £1450
Circle of Life by Kaiying Cai, £1200

With mannequins, boxing boys, spiritual guides… this curation is filled with the vibrant characters of a dream that might have faded by the morning. It gives you a chance hold on to them for a little bit longer.

Brentwood by Gareth Griffiths, £8500
The Location of the Very, Absolute, Tippety Top of the Mountain Is Not Yet Known by Kainoa Gruspe, £3800
Elemental by Sarah Chalmers, £2500
Traces II by Lindsay Mapes, £2400
Mannequin by Thomas Cameron, £2200
Orange Figure by Ella Squirrell, £1600
Ebbing Tide in the Estuary by Sophie Baker, £1800
Still Until Spring Comes Through by Tyler Watson, £1800
Guide by Kyle Noble, £1800
Another Time by Sarah Chalmers, £1800
Cumnock III by Lynsey MacKenzie, £1450
And What Can Be the Use of Him Is More Than I Can See by Scarlett Budden, £1450
Soft Cream by Charlotte Brisland, £1400
On Waterline by Xiaoyu Shi, £1400
Breaking Into the Ball/ Hopping Over the Wall by Alanna Blake, £1000

Artworks can be purchased with an interest free loan. Selected OwnArt at checkout.