Curated Collections
What Artists Like #2
What Artists Like, a new artist-led series created and edited by Nicola Wiltshire with Errol Theunissen as our Guest Curator. Read on to see which works he picked and why..
Adding Depth: New Curation
View a selection of original works recently added to the gallery. Selected for their depth of colour and intensity of feeling. Though mostly small in scale, these pieces demonstrate an authenticity of material and unique vision that would add sophistication to any space.
Detailing Life: From Pencil Shavings to Wind Turbines
In this curation, we see equal attention paid to macro and micro. Stephen Todd’s Deep in Sleep (Offshore- North Sea) is a slow and contemplative image, displaying a vast expanse of ocean. Mottled light spreads across the image as figure and ground dissolve, become one.
Curated Collections & Gift Guides
Throughout the year, seasons and months, there are many reasons to celebrate: maybe a wedding, an anniversary, a birthday, or a new baby. Art provides a unique gift. It is something honest that endures, often gaining intrigue and interest as the years pass. It marks a moment in time, often becoming even more special as the years pass.
StART Art Fair – works for sale
Artworks for sale, currently on show at StART Art Fair, Saatchi gallery London
After Impressionism
New Blood Art presents a selection of curated original artworks that capture the spirit of the post impressionists.
Emerging Artists Working with Waste
The word ‘sustainability’ seems to be everywhere these days, but what does it actually mean in the context of a developing artistic career?
New Blood Art + ABIGAIL AHERN
We’re delighted to announce our partnership with renowned British interior, furniture, and accessories designer Abigail Ahern on an exclusive curation of 12 original artworks.
The Wild Other
Animals are perhaps our most dignified friends and companions. Artists have certainly always known this, with the history of art populated by creatures big and small.
Forever Painting
Artist Günther Förg described painting as a ‘resilient practice’ — always in the now, and expanding rather than ever truly changing. There’s something both comforting and exciting about this. Exciting, because there really are endless possibilities, and comforting because it’s deeply rooting knowing that a contemporary painting can embody all that comes before it in the most subtle of ways.