73 x 107 cm | 28 x 42 in
Original painting in oil on canvas.
"Inspired by reading Oscar Wilde's 'The Picture of Dorian Grey', this painting explores representation in portraiture through a painting of a man with two faces. The subtle differences between the two men, remind me of the painting in Dorian Grey's attic. I almost wanted to paint the shadow with a snarl. The title refers to Jungian psychology and embracing your inner darkness."
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Nicola Wiltshire’s paintings hold absorbingly bold forms, which immediately capture the viewers’ attention. She was listed as an artist to watch in The Guardian - read more here, has held 4 solo exhibitions, a number of group shows, received the Pittenweem Art Festival’s Bursary Award and a six-month Artist Residency at Halley Stevensons, who manufacture waxed cotton for clients such as Barbour from their Dundee factory. More recently, Nicola was selected as one of twelve artists to take part in a public art project in Dundee's West End, as well as being an invited artist for the Reformation Street Art Project, also in Dundee (both part of the city-wide regeneration following the opening of the V&A Design Museum). Her largest series of 2018, a collection of still lifes, has been particularly successful at capturing the tactile qualities of the fabric she paints on - her trademark style - in these paintings, fabrics such as Toile de Jouy, patterned linen and William Morris-inspired prints become decorative vases for high-pigment representations of house plants and seasonal wildflowers. These paintings, along with her portraits and landscapes, have attracted a loyal collector base; many of whom own more than one of these paintings in their collection. She continues to paint with integrity - using high quality oil paints, many that she makes by hand in her studio and is beginning to explore other traditional processes such as handmaking pastel crayons.