Justine Watt

Justine Watt

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Degree: Sculpture
University: Edinburgh School of Art
Graduation Year: 2024

New Blood Art Commentary

Read: An Emerging Voice in Sculptural Reinvention

In a world grappling with overconsumption and waste, Justine Watt's sculptural practice stands as a powerful testament to the transformative potential of repurposed materials. As a final year student at Edinburgh College of Art, Watt has carved out a unique artistic voice, one that challenges our perceptions of the ordinary and invites us to reconsider the value of the discarded.

Justine Watt (b. 1973) has rapidly emerged as one of Scotland's most promising artistic voices. Her powerful practice centers on deconstructing and repurposing domestic objects like chairs, candles, and coat hangers that would otherwise end up in landfills.

Working primarily with reclaimed wood, Watt meticulously disassembles these items, revealing their intrinsic potential for reinvention. Through traditional woodworking techniques such as steam bending, she deftly incorporates the repurposed materials into modular sculptural forms that harmoniously fuse texture and narrative.Watt's raw, gestural constructions embody a profound respect for ethical material use, domesticity, labor, and timeless craftsmanship.

Watt's artistic process and conceptual underpinnings resonate with several influential contemporary sculptors. Like Rachel Whiteread, her work transforms ordinary domestic objects into monumental presences that prompt new perspectives. Watt shares an affinity with Cornelia Parker's practice of reconfiguring and repurposing familiar materials, imbuing the discarded with renewed significance. Additionally, Simon Starling's exploration of the cyclical nature of existence through his metamorphic sculptures finds kinship in Watt's modular, reinterpretable forms crafted from repurposed wood and objects. Drawing inspiration from these artistic vanguards, Watt forges her own powerful language celebrating sustainability, ethical material use, and the poetic potential of the oft-overlooked. At its core, Watt's practice is a poignant call to reconsider society's "throwaway culture." By breathing urgent new life into repurposed objects, she challenges assumptions about perceived value and consumption. Each piece raises awareness about environmental responsibility while sparking joy and engagement.

The resonance of her message has already earned significant recognition, including being named a finalist for the 2024 Scottish Emerging Sculptor Award. Watt is also the recipient of the prestigious 2024 Tim Stead Trust Award and Flora Wood Award from Visual Arts Scotland at the RSA.With her unique perspective and steadfast commitment to sustainability, this rising star stands poised to make an indelible impact on the contemporary art scene. Justine Watt's sculptures are a powerful reminder that beauty, meaning and value can be renewed from the most unexpected of sources.

Artist Statement

At the heart of my practice is a desire to transform mundane, domestic, yet profoundly intimate artifacts of our daily existence, considering the relationship between the corporeal and the crafted. The modularity of each sculpture facilitates the practicalities of assembly, but also imbues my work with a cyclical narrative, inviting reinterpretation. Recently I have been working with discarded beech chairs, destined for landfill. Using traditional woodworking methods, such as steam bending and kerfing, I aim to renew and regenerate these unwanted everyday objects, offering the viewer the chance to reappreciate them. The laborious processes inherent in my approach, steeped in repetition, renewal and meditative rhythm, evoke echoes of domesticity, the value of labour and timeless rituals of craftsmanship. I hope to spark joy and engagement and raise awareness of our collective responsibility towards the environment, ethical use of materials and disrupt the inertia of our throwaway culture.

Group Exhibitions

(2024) Then & Now: 100 Years of VAS - Centenary Exhibition, RSA Scotland, Edinburgh

(2024) Pilot, West Barns Studios, Dunbar, East Lothian

(2024) ECA Graduate Show, Edinburgh College of Art, Edinburgh

(2023) The Fourth Wall, Edinburgh College of Art, Edinburgh

(2022) Fusion: Colonising Mars, The Anatomical Museum, University of Edinburgh Medical School

(2022) The Gallery Society Summer Show, St Margaret's House, Edinburgh

Competitions, Prizes & Awards

(2024) Scotland's Emerging Artist Finalist

(2024) Visual Arts Scotland, RSA Edinburgh, The Tim Stead Trust Award

(2024) Visual Arts Scotland, RSA Scotland, The Flora Wood Award

(2023) The Astaire Award Shortlisted, Edinburgh College of Art

(2024) RSA The John Kinross Award

(2024) Andrew Grant Travel & Equipment Bursary

(2024) RSA New Contemporaries

Original works: