Degree: MA Ceramics & Glass
University: Royal College of Art
Graduation Year: 2024
Damaris Athene is a distinguished contemporary emerging artist recognised for her innovative exploration of the intersections between the digital and physical realms. She is currently pursuing an MA in Ceramics & Glass at the Royal College of Art, supported by the prestigious Marit Rausing Scholarship. Athene has been shortlisted for numerous awards, including the Hans Brinker Painting Prize, the Clyde & Co. Art Award, the BEEP Painting Prize, and the Robert Walters Group UK New Artist of the Year Award. She also received the City & Guilds of London Art School Prize for Outstanding MA Fine Art Exhibition in 2023.
Athene's transdisciplinary practice spans painting, sculpture, performance, photography, digital collage, and printmaking, often culminating in self-referential installations that challenge traditional perceptions of the body and materiality. Her work is deeply influenced by Posthuman theory, which reexamines hierarchies in a post-anthropocentric world and explores the fluid interconnections between humans, animals, the environment, and technology. Athene's practice inhabits liminal spaces, slipping between the real and unreal, and swimming through permeable boundaries between the organic and synthetic, the digital and physical, and 2D/3D spaces.
One of her notable series, "Fruiting_Bodies," explores potential future forms of the body, blending human and non-human, digital and physical, organic and synthetic elements. These works feature airbrushed fabric that creates orifices and bulges, with glass domes that suggest portals, alien eggs, or microcosms, evoking a sense of parasitic growth that blends beauty with unease. Another significant series, "Padded Paintings," starts with collages that develop into 3D clay models, which are then transformed into padded sculptural forms covered in neoprene and painted with an airbrush. These tactile works entice with their erotic corporeal forms, questioning the authenticity of digital perfection and the sensual satisfaction it promises.
Athene's achievements and innovative practice have earned her a prominent place in contemporary art, with her work being showcased in numerous solo and group exhibitions internationally. She also founded the blog "Private View," where she interviews female and non-binary artists, providing a platform for underrepresented voices in the art world. Her continuous exploration of the digital and physical realms, combined with her recognition and awards, underscores her significant contribution to contemporary art.
My transdisciplinary practice explores the posthuman and how lived experience mediated through technology offers new ways of viewing the materiality and potential of the body. Posthuman theory offers an opportunity to reexamine hierarchies in a post-anthropocentric world, blurring the borders between humans and non-humans. I am drawn to where language fails us but embodied experience does not. My work inhabits liminal space, slipping between the real and unreal, and swimming through permeable boundaries between bodies, the organic and synthetic, the digital and physical, and 2D/3D space. Work transmutes from painting to sculpture, photography, and digital collage, often accumulating in installations.
My practice mutates and evolves, feeding itself like the ouroboros and mirroring the unrelenting regurgitation of imagery on the internet. I explore the fluid interconnections of matter and life, the entanglement of humans, animals, the environment and technology. Uncanny illusions create a sublime and slippery reality, interfering with your perception. Doubling disguises duplicitously. Work folds in on itself and is kneaded into new forms. Depth is flattened and then reformed. Bodily leakage is contained, sanitised and controlled. Fluids attempt to flow but freeze and glitch. Digital flatness and perfection seduce but obstruct any sensual satisfaction.
Tactile padded paintings entice with their erotic corporeal forms, photographs question authenticity, and digital collages blur the border between the digital and physical. Glass sculptures are both liquid and solid, fragile yet strong, transparent yet impermeable. Membranes stretch, concealing what lies beneath.
(2022) All Trussed Up and Nowhere to Go, ] G A Z E [ Art Space, Shrewsbury, UK
(2021) If Only I Could Be 2D, Compact Contemporary, Leeds, UK
(2021) I Wish I Was As Hot As My Memoji, The Open Dresser Gallery, Sevenoaks, UK
(2019) Cheer Up Love, Peterhouse Brewhouse, Cambridge University, Cambridge, UK
(2018) I Shall Walk Softly There, Wigan S.T.E.A.M., Wigan, UK
(2017) Lovely in Her Bones, St Barnabas Gallery, Cambridge, UK
(2024) School of Arts & Humanities Postgraduate Show, Royal College of Art Battersea, London, UK
(2024) A Landscape of Chance, SLQS Gallery, London, UK
(2024) Dawn on your skin (Duo show), Curated by Anzhela Popova, Feelium Gallery, London, UK
(2024) In Loving Memory (Trio show), Curated by Charlotte Leseberg Smith, Guts Project Space, London, UK
(2024) Echoes of Existence, Upper Gulbenkian Gallery, Royal College of Art Kensington, London, UK
(2024) Finding Place, Curated by Sophie Nowakowska and Alison Dollery, The Ancient Priors, Crawley, UK
(2024) Unveiling Abstractions, Curated by Zoë Goetzmann and Melissa Vipritskaya Topal, Hypha HQ, London, UK
(2023) Affordable Art Fair, MeetFrida, Hamburg, Germany
(2023) Robert Walters Group UK New Artist of the Year Award, Saatchi Gallery, London, UK
(2023) current/s, PHOTOPIA and MeetFrida, Hamburg, Germany
(2023) MA Show, City & Guilds of London Art School, London, UK
(2023) Adjacent Colours, D Contemporary, London, UK
(2023) Meat Market #1, Curated by Sophie Nowakowska, Disused Butcher’s Shop, London, UK
(2023) Bodies, Gluttony and Me, Pictorum Gallery, London, UK
(2024) New Blood Emerging Art Prize (Nominated)
(2024) New Contemporaries (Longlisted)
(2023) New Emergence Art Prize (Shortlisted)
(2023) Robert Walters Group UK New Artist of the Year Award (Shortlisted)
(2023) CGLAS Prize for Outstanding MA Fine Art Exhibition
(2023) THE TAGLI 01.23 Collection and Mentorship Award (Shortlisted)
(2022) NOW Introducing 2022 Art Prize (Shortlisted)
(2021) CuratorSpace Artist Bursary #13
(2021) PERSPECTIV_A Feminist Photography Competition, La Vienisima (Shortlisted)
(2021) Robert Walters Group UK New Artist of the Year Award (Longlisted)
(2018) Beep Painting Prize (Shortlisted)
(2018) Aesthetica Art Prize (Round Two)
(2015) Clyde & Co Art Award (Shortlisted)
(2014) Hans Brinker Painting Prize (Shortlisted)