SPOTLIGHT

Here at Newbloodart, we like to share collecting tips. As we often say – buying at the start of an artist’s career, when the work is on the cusp of gaining recognition and value, is the perfect time to buy an artist’s work – it will be never be more affordable. More difficult to get […]

Thinking about why it is that Heymish’s photographs create a kind of proprietary urge, a question arises – how can they be nostalgic for so many people, when memories are supposed to be our own? Somewhere between dream and memory, the images create acute but inarticulate feelings, that seem to belong intimately, and impossibly to […]

Looking at Louisa Chambers’ work put me in mind of Bruno Munari and his useless machines, not to be confused with his comic machines seen in Einaudi’s Le Macchine di Munari, “projects for strange constructions for wagging the tails of lazy dogs, for predicting the dawn, for making sobs sound musical, and many other facetious […]

Falmouth, lovely by the sea, had a very different atmosphere – and the show was wonderfully rich, accomplished and engaging. We really enjoyed the inclusion of dissertation titles in the catalogue, and have reproduced some of them here – divorced from their bodies they are necessarily obscure but inviting, and sometimes make for surreal reading(s). […]

Beauty in simplicity of form is found in the white wooden structures of Edward Payne. Translating the shape of a paper bag into solid wooden form – he plays with this iconic design, highlighting it’s familiarity, questioning it’s function, celebrating its simplicity and challenging the way we receive visual information. Benjamin Senior has a visual […]

A while ago we wrote to all our artists inviting fragments –  preliminary, spontaneous and less controlled pieces, which the artists may have considered too unfinished to release. We have really enjoyed gaining an insight into our artists’ practice through this means, and have received great feedback from customers who have taken this opportunity to […]