Artwork in-situ

“My practice focuses on conformity and mob mentality. Using past experiences of Glasgow gang culture, I explore the intimidation of extreme religious cults and left wing political groups.” Craig Wright

“In art, I value freedom above all – my own and that of the recipient. I avoid over intellectualisation, I don’t pierce my art with a gibberish relay of socially or politically correct information. I also leave viewer with the freedom of interpretation. I don’t try to be literal, I leave most things unanswered often by choosing […]

“My work is influenced by many factors – the experience of walking through landscapes, changes in light, weather and atmosphere, and the edges of places where human history and activity interact with other parts of the natural environment.” James Self            

“I work with bright luminescent colour, painting forms that cross between recognisable and reminiscent.  With empty void backgrounds I reference deep sea and space photography, while free form improvised structures create the basis of many paintings contrasting with portraits inspired by nineteenth-century daguerreotypes and autochromes.”  Coral Churchill    

“I work predominantly in photography and investigate its ephemeral nature in relation to the urban environment. At the heart of my practice lies a fascination with cycles of transformation and an attempt to encapsulate natural phenomena through abstract processes. Light plays an integral role within my work and there is an ambiguity between the precision […]

“My work explores the competitive nature of human beings. I am particularly interested in how we invent activities to express our obsessions and how we use objects to embody or to encapsulate our competiveness. The ‘Prize’ represents the driving force behind our behaviour; it is the end goal and represents success. On a deeper level […]

“With each image I create I strive to embed a sense of tranquility and serenity as well as monolithic stillness and presence, which I hope can be strongly be felt. As well as being conceptually layered, much of my work is also physically layered and explores the inherent qualities of the materials I use. I […]

“I get angry when I see that my work is becoming too ‘nice’. I add then a coat of painting, a colour to hide, to make it all less beautiful and clean. These works are without varnish, without a final touch and without a frame. I am searching for a non-finished looking result, a crude […]

“My primary focus lies with portraiture and the human body, exploring themes of fragility within intimate domestic settings. These portraits often expose emotional journeys experienced through femininity, identity and social stigma.” Naomi Robb

Artwork in-situ by Birgitte Lykke Madsen: