Jagged patterns, dragging brush strokes, and sheets of colour, intertwine and vibrate against each other in the abstract landscape paintings of Jasmine Mills. Her paintings, each radiating energetic use of colour, are based on landscapes both imagined and remembered. Expressive mark-making give the impression of structure whilst retaining the organic flow of unrestrained paint. As […]

Not unlike early cubism, David McConochie experiments with form through dramatic fragmentation –  his images of landscapes are arranged into grid-like, geometric structures, created through collage. McConochie’s technique involves painting, or drawing, a landscape and subsequently cutting it up and rearranging it into a new composition. The resulting imagery plays with the traditional representation of […]

Selected for 2018 RSA New Contemporaries, David Rae is part of a growing interest in the possibility of unspoken narratives through the use of realism and subtraction. Rae’s paintings offer a remarkable sense of space through the realistic rendition of textures and perspective and behind this curtain of reality the figureless, empty spaces suggest an […]

Anna Mickevica has the rare talent of being able to capture realism through expressive mark-making. Her work gives only enough detail to the forms, allowing the viewer to complete the intricacies of her subject-matter, be it figurative or scenic. Mickevica’s figurative work is largely gestural, with a visceral and vulnerable quality to the rolled flesh […]