Recent insights from the Art Basel & UBS report echo what I’ve seen for two decades: the most active and resilient part of the market lies where we’ve always worked – original artworks under £5,000, carefully selected.

The clue is in the name: Mr. Brainwash – so why do people keep buying in to the sell-out?
Banksy, (if he’s behind this) isn’t just selling art – he’s exposing how easily people accept what they are told has value, without learning to think for themselves..

Aneira Thomas: Winner of the Emerging Art Prize Public Vote Aneira Thomas has been selected as the winner of the Public Vote for the New Blood Art Emerging Art Prize. Her paintings carry a distinct vertical rhythm – unusual in contemporary painting. They use rich, layered colour and repeated motifs to create works that feel […]

Esther Castle has been awarded the New Blood Art Emerging Art Prize for her exceptional degree show work.

Curating art is a curious process.. that feels like a dialogue between the artworks and the space in which they live. When I look through works – whether on the website or in the flesh – I often encounter pairings and groups that naturally complement each other, seeming to have an unspoken understanding between them, a shared energy, working […]

Clementine’s work is a completely unique vision, and that is what makes a great artist truly investable.

Explore the Directors’s Picks section to view Sarah’s latest curated selection. Scroll down to discover videos with in-depth reflections on individual pieces.

Errol Theunissen’s recent feature in Whitechapel Gallery’s First Thursdays walking routes marks a significant milestone in his career, underlining his position as an emerging talent to watch. This prestigious recognition amplifies his visibility in the art world, making his work even more compelling for collectors. With only two pieces currently available through our gallery, this […]

Natalie Chapman’s work is commanding attention for its unflinching exploration of identity, class, and perseverance. Her latest collection, All The Stories I Could Never Tell, channels her experiences growing up in social housing, confronting societal stigmas with raw authenticity and emotional depth.

A space for early signals – where artists often appear before their rise becomes visible elsewhere.