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Colin Gleadell 24 March 2020 9:58am GMT As someone who learned their art on the streets, through handling it physically in galleries and auction rooms, I have always had a slight aversion to the impersonal way it is marketed online. But over time, I have found that, as the technology for experiencing the art virtually, […]

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View article here Katie Hallam, 38, visual artist, Edinburgh College of Art Before lockdown I wanted to visualise what our technological devices would become in 100 million years’ time, fossilised, buried and extracted again. I had sourced large pieces of coal from the last remaining active quarry in Ayrshire and had planned to cast, sculpt, […]

With the cancellation of final-year exhibitions, students lost a vital showcase Read article here

What happens when trust breaks down in an unregulated market, and why smaller dealers may hold the key.

Two artists, one undercurrent: the early pulse of recognition. Shared origin (RCA), different registers, but the same sense of forward motion. There are rumblings – sales, attention, the kind of interest that builds quietly. Their work is being noticed. Picked up, in some cases, by other artists – and that always says something – that […]

Sammi Mak’s newest body of work holds clarity, depth, and a kind of atmospheric truth you feel before you think about it. We’re proud to share that one of her recent paintings has just been acquired by Louis Vuitton – an exciting milestone and a strong signal of the attention now building around her work. […]

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