Pigments – eroding, sedimenting, tectonic – trace the artist’s paintings, in meandering, looping mosaics, or swathes like layers of water. Here the experience of looking is both sensuous and deconstructed: your gaze is reflected back at you.

Paint can always be, is always applied anew. The original movement of Abstract Expressionism sought unprecedented ways of creating the substance of feeling.

Skies are so eminently paintable: always offering new forms, endlessly surprising, abstract and tactile in equal measure.

Drawing can be a startling intimate medium, with the exquisite effort clear to see.