{"id":28668,"date":"2025-05-28T07:38:13","date_gmt":"2025-05-28T06:38:13","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=28668"},"modified":"2025-06-25T18:45:17","modified_gmt":"2025-06-25T17:45:17","slug":"statement-works-under-5000","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/statement-works-under-5000\/","title":{"rendered":"Kind Structures – On Structure"},"content":{"rendered":"
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There are times when we need art to hold us steady, rather than move us emotionally. To offer form, rhythm, reassurance – and regulate the nervous system, with clear boundaries and edges we can follow.<\/p>\n

The artists featured in today\u2019s curation are doing just that. Whether through geometry, repetition, architectural gesture or spatial restraint, each piece offers a kind of architecture – a steadying presence in the field. These are works that give us somewhere to rest within the structure of their boundaries, offering a clear edge and a reassuring rhythm to locate ourselves within again.<\/p>\n

In a world that so often pulls us outward, away from our centre and certainty, these works offer containment – a compositional architecture to inhabit for a while. Kind structures. It\u2019s how we know where we are. And what can be built.<\/p>\n

 <\/p>\n<\/div>\n

Kind Structures<\/span> is a new collection of works that hold –\u00a0<\/span><\/p><\/blockquote>\n

steady, spacious, architectural.<\/span><\/p><\/blockquote>\n

Explore the full curation below.<\/span><\/p><\/blockquote>\n

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(View full collection \u2192)<\/span><\/em><\/a><\/p>\n<\/div>\n

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\"Waves<\/a><\/p>\n

Masters Artist<\/a><\/div>\n
Waves <\/a><\/div>\n
By Glib Franko<\/a><\/div>\n
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\u00a32000<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"Westhay<\/a><\/p>\n

<\/div>\n
Westhay Moor Birches <\/a><\/div>\n
By Scott Whiteman<\/a><\/div>\n
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\u00a3600<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"Full<\/a><\/p>\n

<\/div>\n
Full Moon <\/a><\/div>\n
By Coral Churchill<\/a><\/div>\n
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\u00a3400<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"Fettes<\/a><\/p>\n

<\/div>\n
Fettes Row <\/a><\/div>\n
By Cavan Reed-O’Connor<\/a><\/div>\n
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\u00a3550<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"Coloured<\/a><\/p>\n

Masters Artist<\/a><\/div>\n
Coloured Pencil Drawing 030 <\/a><\/div>\n
By Tia Taylor Berry<\/a><\/div>\n
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\u00a3200<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"More<\/a><\/p>\n

Masters Artist<\/a><\/div>\n
More Than This (Teal Shine) <\/a><\/div>\n
By Jan Valik<\/a><\/div>\n
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\u00a3800<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"612<\/a><\/p>\n

Emerging Art Prize Nominee<\/a><\/div>\n
612 8th St. <\/a><\/div>\n
By Hanna Kojima Boyd<\/a><\/div>\n
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\u00a32500<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"The<\/a><\/p>\n

<\/div>\n
The Light Within the Shadows <\/a><\/div>\n
By Toni Harrower<\/a><\/div>\n
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\u00a3600<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"The<\/a><\/p>\n

<\/div>\n
The Edges Between <\/a><\/div>\n
By Toni Harrower<\/a><\/div>\n
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\u00a3300<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"Desk,<\/a><\/p>\n

Emerging Art Prize Nominee<\/a><\/div>\n
Desk, Who Drinks Your Tears? <\/a><\/div>\n
By Allison Gretchko<\/a><\/div>\n
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\u00a3700<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"A<\/a><\/p>\n

Masters Artist<\/a><\/div>\n
A Pinch-of-Salt Island <\/a><\/div>\n
By Moemi Takano<\/a><\/div>\n
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\u00a3350<\/p>\n

<\/div>\n<\/div>\n<\/div>\n
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\"Earthy<\/a><\/p>\n

<\/div>\n
Earthy Colours <\/a><\/div>\n
By Octavia Madden<\/a><\/div>\n
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\u00a3175<\/p>\n

<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n