{"id":23867,"date":"2022-12-15T12:36:35","date_gmt":"2022-12-15T12:36:35","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=23867"},"modified":"2023-02-02T15:50:40","modified_gmt":"2023-02-02T15:50:40","slug":"the-perfect-size-artwork","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/the-perfect-size-artwork\/","title":{"rendered":"The Perfect Size Artwork?"},"content":{"rendered":"\n

I’ve been thinking about how there\u2019s something undoubtedly appealing about a moderately sized work: it doesn\u2019t overwhelm a space, whilst still making an impact. Neither miniature nor large-scale, the work doesn\u2019t set demands: not needing to be the hero of your room, or seen really close up, instead it attunes to an interior space in a more sensitive way which larger and smaller works can\u2019t so easily accomplish.\u00a0<\/p>\n\n\n\n

At a certain mid-scale, say between 60cm – 90cm, the work doesn\u2019t usually dominate a room but is still a notable presence. Instead of taking centre-stage in your visual field it integrates into your space, becoming more intrinsically a part of the environment. These works are also more mobile between walls: travelling well into new spaces, new homes and re-curations of collections.<\/p>\n\n\n\n

See below a selection of works currently available that I think are working particularly well in mid-scale.

Sarah\u00a0

Order artwork\u00a0by\u00a0December 18th and it should\u00a0arrive for Christmas. Please let us know if you’re ordering a gift and we’ll ask the artist\u00a0to prioritise sending it. Can’t choose what to give, but would like to give art? You can give a\u00a0<\/em>New Blood Art voucher<\/a>, to be used on any artworks on display.\u00a0<\/em><\/p>\n\n\n

\n
\"\"<\/a>
An Annihilation of Obscured Flesh, Emily Oades, \u00a3700
70 x 100 cm | 27 x 39 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"
Prayer Offerings, Yasmin Davidson, \u00a3700
50 x 70 cm | 19 x 27 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Chasing Rainbows, Tobias Francis, \u00a32,000
60 x 100 cm | 23 x 39 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Brambles I (Framed), Henrietta Clavering, \u00a3600
90 x 60 cm | 35 x 23 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Three Yellow Lines, Niall Stevenson, SOLD
67 x 87 cm | 26 x 34 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Cucumber Foliage (artwork Comes Framed), Sophie Baker, \u00a3800
55 x 65 cm | 21 x 25 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Paint and Draw Series (Watercolour Drops), Janine Hall, \u00a3650
57 x 69 cm | 22 x 27 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
World War II Bunker, Wendy Hodges, \u00a3425
70 x 56 cm | 27 x 22 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Norwegian Wood – 1, Sammi Mak, \u00a3770
95 x 65 cm | 37 x 25 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Artificial Lighting (Houseplant 1), Ed Saye, \u00a32,250
66 x 92 cm | 25 x 36 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Green Heart, Sara Willett, \u00a3525
56 x 76 cm | 22 x 29 in<\/figcaption><\/figure><\/div>\n\n\n
\"\"<\/a>
BRIGHTER, Jo Hummel, SOLD
70 x 70 cm | 27 x 27 in<\/figcaption><\/figure>\n\n\n
\n
\"\"<\/a>
Film Still 1, Karin Wright, \u00a3200
70 x 50 cm | 27 x 19 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
925 Sterling Silver and Cherry Red Hair, Llinos Owen
60 x 60 cm | 23 x 23 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
DEAD DOGS, MEEK FOOLS, Hannah Kate Absalom, \u00a32,500
57 x 72 cm | 22 x 28 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
Reverberating Pink (Diptych), Felicity Nutt, \u00a3400
61 x 90 cm | 24 x 35 in<\/figcaption><\/figure><\/div>\n\n
\n
\"\"<\/a>
The Fareaway, Sara Willett
80 x 80 cm | 31 x 31 in<\/figcaption><\/figure><\/div>\n\n\n

Browse all new work just landed at the gallery.<\/a>
 <\/p>\n\n\n\n

All work available to buy with an interest free art loan. Select OwnArt at the payment page.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

At a certain mid-scale, say between 60cm \u2013 90cm, the work usually doesn\u2019t dominate, but is still a notable presence. Instead of taking centre-stage in your visual field it integrates into your space, becoming more intrinsically a part of the environment. <\/p>\n","protected":false},"author":3,"featured_media":23905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[325],"tags":[],"class_list":["post-23867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curated-collections"],"acf":[],"_links":{"self":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/comments?post=23867"}],"version-history":[{"count":9,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23867\/revisions"}],"predecessor-version":[{"id":24399,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23867\/revisions\/24399"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media\/23905"}],"wp:attachment":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media?parent=23867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/categories?post=23867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/tags?post=23867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}