{"id":23619,"date":"2022-11-22T12:04:04","date_gmt":"2022-11-22T12:04:04","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=23619"},"modified":"2022-12-15T12:53:11","modified_gmt":"2022-12-15T12:53:11","slug":"andrew-szczech","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/andrew-szczech\/","title":{"rendered":"Andrew Szczech"},"content":{"rendered":"\n

New work by\u00a0Andrew Szczech\u00a0<\/a>is on display: abstract painting\u00a0with an investigative language of its own,\u00a0which sold out at his MA show last year.\u00a0<\/p>\n\n\n\n

Pigments \u2013\u00a0eroding, sedimenting, tectonic \u2013\u00a0trace his paintings, in meandering, looping mosaics, or swathes like layers of water. The eye plunges into the contemplated object and drifts across its surface. The colours of these works float between being organic and more painterly, occupying an amniotic zone. The aesthetic is historical in the same sense as British artist\u00a0Rachel Whiteread\u2019s sculptures or electronic musician William Basinski\u2019s seminal compositions are: as a poetry of dissolution. The artist returns again and again to notions of permanence and impermanence.\u00a0<\/p>\n\n\n\n

These abstractions have the minimalism and sophistication that\u2019s at the centre of interior designer Axel Vervoordt’s philosophy: \u201cWe’re all products of the past, but we must also take inspiration from the present.\u201d The designer\u00a0draws on the Japanese concept of wabi-sabi: acceptance of transience and impermanence.\u00a0<\/strong><\/p>\n\n\n\n

Andrew on his current work: <\/p>\n\n\n\n

I have become specifically interested in the ideas of broken physical and socio-political utopias. My latest works include responses to the hinterland around the M25 close to where I live. My intention is to produce works that represent an emotional response to the place rather than a pastiche of it. In this way, I aim to share the experience of visiting the site with the viewer.<\/em>

See all the artist’s work<\/a> on display to buy original art. <\/p>\n\n\n\n

Browse all new work just landed at the gallery.<\/a><\/p>\n\n\n\n

All work available to buy with an interest-free art loan. Select OwnArt at the payment page.<\/p>\n\n\n

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48 Gonville Avenue by Andrew Szczech, \u00a34200<\/figcaption><\/figure><\/div>\n\n
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Coppins Ghost Farm #1 by Andrew Szczech, \u00a34400<\/figcaption><\/figure><\/div>\n\n
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Ghost Farm Dwelling #3 by Andrew Szczech, \u00a3600<\/figcaption><\/figure><\/div>\n\n
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Coppins Ghost Farm #2 by Andrew Szczech, \u00a34400<\/figcaption><\/figure><\/div>\n\n
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11 Bateman Road by Andrew Szczech, \u00a34200<\/figcaption><\/figure><\/div>\n\n
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Ghost Farm Dwelling #2 by Andrew Szczech, \u00a3600<\/figcaption><\/figure><\/div>\n\n
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26 Harvey Road by Andrew Szczech, \u00a32320<\/figcaption><\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Pigments \u2013 eroding, sedimenting, tectonic \u2013 trace the artist\u2019s paintings, in meandering, looping mosaics, or swathes like layers of water. Here the experience of looking is both sensuous and deconstructed: your gaze is reflected back at you. <\/p>\n","protected":false},"author":3,"featured_media":23625,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[453],"tags":[],"class_list":["post-23619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-investable-artists"],"acf":[],"_links":{"self":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/comments?post=23619"}],"version-history":[{"count":4,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23619\/revisions"}],"predecessor-version":[{"id":23917,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23619\/revisions\/23917"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media\/23625"}],"wp:attachment":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media?parent=23619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/categories?post=23619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/tags?post=23619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}