{"id":23437,"date":"2022-11-11T12:33:24","date_gmt":"2022-11-11T12:33:24","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=23437"},"modified":"2022-12-15T13:21:21","modified_gmt":"2022-12-15T13:21:21","slug":"multiplicity-arrival-pattern","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/multiplicity-arrival-pattern\/","title":{"rendered":"Multiplicity, Arrival, Pattern"},"content":{"rendered":"\n

There\u2019s something very rejuvenating about these mainly abstract works: a cellular reset through living colours and organic shapes. Many have a diffuse energy to them, and would make a brilliant focal point to a room. Such works \u2013 in any colour or neutral palette \u2013 can bring\u00a0balance to a space.\u00a0Multiplicity, arrival and pattern are the key words of this week\u2019s curation.\u00a0<\/p>\n\n\n\n

Tia Taylor Berry<\/a> and Minnie Kathleen Browning<\/a> in their chosen monochrome palettes \u2013 orange and blue respectively \u2013 would make amazing centres for rooms designed with those colours at their heart. <\/p>\n\n\n\n

Sara Willett\u2019s<\/a>\u00a0paintings are almost a hammock for the eyes, but also the view up to the cosmos:\u00a0see the restful drift of their rhythms, patterning with intricacy and simplicity to sublime effect. <\/p>\n\n\n\n

There\u2019s the soothing, repetitious\u00a0geometries in energising pallettes of\u00a0Sarah Shaw<\/a>\u00a0and\u00a0Toni Harrower<\/a>.\u00a0<\/p>\n\n\n\n

Sax Impey<\/a>\u00a0and\u00a0Angelika Biller\u2019<\/a>s work, in wildly different ways, are elemental: Sax’s vast seascapes are on the cusp of the representable; Angelika’s proto-paintings in watercolour summon a different iteration of chaos. <\/p>\n\n\n\n

Gareth Griffiths<\/a>, a member of the Royal Society of British Artists,\u00a0offers a magnificent sculpture. The fluidity of the artist’s metal sculptures is what is so immediately appealing about them: deconstructed and elegant, a perfectly balanced cascade arrests the eye. Inspired by bold architectural lines, made of steel and sometimes with wood, some works such as \u2018Montabello\u2019 and \u2018Brentwood\u2019 are designed to withstand the elements and look well situated in a garden, ambiguously organic.<\/p>\n\n\n\n

Using grey\u00a0Stephen Todd\u00a0<\/a>and\u00a0James O\u2019Connell<\/a>\u00a0make works focusing on the tactile, bringing this sense to the foreground of their visual medium. <\/p>\n\n\n\n

Introducing new artist\u00a0James Bristow<\/a>: who chooses lucid colour for his optical adventures \u00e1 la Bridget Riley. The flex of the wave in his work is pure motion. His one-off screen prints are sudden experiences of vitality: tactile and cerebral, elegant undulations. Formally they evoke unity in difference; their use of colour is generous. Looking at them sparks energised, trance-like rumination.\u00a0\u00a0<\/p>\n\n\n\n

And something unique from 2022 graduate\u00a0Caoimhe Cunningham<\/a>: when fixed in front of a light or window her cloth hangings make a shrine-like fixture for a room.\u00a0Her work is interested in making the mathematical structures of a work of music visible. She feeds the data she extracts through formulaic equations and graphs that inspire the graphics in her paintings.\u00a0<\/p>\n\n\n\n

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Browse all new work by emerging artists just landed at the gallery.<\/a><\/p>\n\n\n\n

Buy original art with an OwnArt loan: applies to every artwork. Selected OwnArt at checkout (UK only). <\/em><\/em><\/em><\/p>\n\n\n

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Before Re-Reading by Catherine Morgan, \u00a3470<\/figcaption><\/figure><\/div>\n\n
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Vanilla Cream (Rough and Smooth) by James O’Connell, \u00a3500<\/figcaption><\/figure><\/div>\n\n
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Blue Portal by Minnie Kathleen Browning, \u00a3210<\/figcaption><\/figure><\/div>\n\n
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Evcavation Noir by Sara Willett, \u00a32350<\/figcaption><\/figure><\/div>\n\n
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Waves #18 by James Bristow, \u00a3330<\/figcaption><\/figure><\/div>\n\n
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Rogue Waves #1b by James Bristow, \u00a3530<\/figcaption><\/figure><\/div>\n\n
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The View (stay) by Jennah Hart, \u00a3365<\/figcaption><\/figure><\/div>\n\n
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Hawthorn (unframed) by Henrietta Clavering, \u00a3375<\/figcaption><\/figure><\/div>\n\n
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Aphrodite 1 by Francisco Santos, \u00a31400<\/figcaption><\/figure><\/div>\n\n
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Social Distancing (Waders – Humber Estuary) by Stephen Todd, \u00a3280<\/figcaption><\/figure><\/div>\n\n\n

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At Sea, Lights and Visions 3 by Sax Impey, \u00a32800<\/figcaption><\/figure><\/div>\n\n
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Drift by Sara Willett, \u00a32000<\/figcaption><\/figure><\/div>\n\n
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Brentwood by Gareth Griffiths , \u00a38500<\/figcaption><\/figure><\/div>\n\n
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Chilled by George Robertshaw, \u00a31500<\/figcaption><\/figure><\/div>\n\n
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From the Oceans by Margaret Brown, \u00a3175<\/figcaption><\/figure><\/div>\n\n
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Night Sky By the Harbor (Diptych) by Aaron James Murphy, \u00a3600<\/figcaption><\/figure><\/div>\n\n
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Minefield by Toni Harrower, \u00a3255<\/figcaption><\/figure><\/div>\n\n\n

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Xeno Cell, Rectangle by Kira Phoenix K’inan, \u00a3400<\/figcaption><\/figure><\/div>\n\n
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Red and Orange by Tia Taylor Berry, \u00a3350<\/figcaption><\/figure><\/div>\n\n
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Still Sound IV by Caoimhe Cunningham, \u00a3350<\/figcaption><\/figure><\/div>\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Check out these abstract works from this week\u2019s curation. Many have a diffuse energy to them, and would make a brilliant focal point to a room. Lively colours and organic shapes make for rejuvenating optical adventures. <\/p>\n","protected":false},"author":3,"featured_media":23452,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[325],"tags":[],"class_list":["post-23437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curated-collections"],"acf":[],"_links":{"self":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/comments?post=23437"}],"version-history":[{"count":12,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23437\/revisions"}],"predecessor-version":[{"id":23927,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23437\/revisions\/23927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media\/23452"}],"wp:attachment":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media?parent=23437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/categories?post=23437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/tags?post=23437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}