{"id":23249,"date":"2022-10-12T10:57:54","date_gmt":"2022-10-12T10:57:54","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=23249"},"modified":"2022-12-16T12:00:57","modified_gmt":"2022-12-16T12:00:57","slug":"painting-with-glass-and-collaging-painting","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/painting-with-glass-and-collaging-painting\/","title":{"rendered":"Painting With Glass and Collaging Painting\u00a0"},"content":{"rendered":"\n

Kira Phoenix K\u2019inan<\/a>, who works with glass, was selected by Design Nation to show at Decorex in Olympia London, showing now. This exhibition<\/a> \u201coffers an unparalleled opportunity for the interior design community to discover exquisite creations from a range of international exhibitors.\u201d 
 
Charlotte Brisland<\/a>, a Master Artist<\/a>, has just been showing at Thompson\u2019s gallery in London. As well as maintaining her practice as a painter Charlotte works as a Fine Art painting lecturer at Aberystwyth University. She describes her process: \u201cThe paintings are built up of collages of places\u201d; in them you may find echoes of de Chirico’s surrealism <\/p>\n\n\n\n

Our take on Kira\u2019s work:\u00a0<\/p>\n\n\n\n


Inspired by painters such as Kurt Schwitters and Umberto Boccioni she has developed her own unique style of low relief drawing that traces the line between sculpture and sketch. By carving directly into plaster sheets, K\u2019inan has the rare ability to cast her artwork using very fine ground glass \u2013 rendering work that is, essentially, painting with glass.<\/em> <\/p>\n\n\n\n

Our take on Charlotte\u2019s work: <\/p>\n\n\n\n


What\u2019s emptier than an uninhabited landscape? An uninhabited landscape featuring an empty house, as Charlotte Brisland\u2019s paintings often do. They evoke places that are no place, but a hybrid of real and imagined locations, in the vein of Edward Hopper and Andrew Wyeth.

Scenes spotlighted with shadowplay create heightened drama in the absence of human figures in Brisland\u2019s work. Colours that strike one as transposed from TV amplify the sense of slipping between the literal and virtual. All this happens in the context of receding, attenuated space: a background or medium that seems uncompressed by the pull of gravity. <\/em><\/p>\n\n\n\n

All work available to buy with an interest free art loan \u2013 select OwnArt at the payment page.<\/p>\n\n\n

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Seconds in Oscillation, 1 by Kira Phoenix K’inan, \u00a3200<\/figcaption><\/figure><\/div>\n\n
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Date Strings in Orange by Kira Phoenix K’inan, \u00a3650<\/figcaption><\/figure><\/div>\n\n
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Candyfloss rose and violets by Charlotte Brisland, \u00a3360<\/figcaption><\/figure><\/div>\n\n
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Yellow Ochre Sun by Charlotte Brisland, \u00a3260<\/figcaption><\/figure><\/div>","protected":false},"excerpt":{"rendered":"

This major exhibition \u201coffers an unparalleled opportunity for the interior design community to discover exquisite creations from a range of international exhibitors.\u201d <\/p>\n

Charlotte Brisland, a Master Artist, has just been showing at Thompson\u2019s gallery in London. As well as maintaining her practice as a painter Charlotte works as a Fine Art painting lecturer at Aberystwyth University.<\/p>\n","protected":false},"author":3,"featured_media":23252,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[453],"tags":[],"class_list":["post-23249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-investable-artists"],"acf":[],"_links":{"self":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/comments?post=23249"}],"version-history":[{"count":7,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23249\/revisions"}],"predecessor-version":[{"id":23955,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/23249\/revisions\/23955"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media\/23252"}],"wp:attachment":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media?parent=23249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/categories?post=23249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/tags?post=23249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}