{"id":22293,"date":"2022-06-28T10:46:42","date_gmt":"2022-06-28T10:46:42","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=22293"},"modified":"2022-06-28T10:53:02","modified_gmt":"2022-06-28T10:53:02","slug":"colourful-futures","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/colourful-futures\/","title":{"rendered":"Colourful Futures"},"content":{"rendered":"\n

The future resides in the colours deployed by the artists curated here. Colours like an upbeat song, bringing you into a more vibrant moment. <\/p>\n\n\n\n

See the earthly paradises of Ed Saye<\/a> (see our profile on \u2018Happy Hippy Home\u2019<\/a>), the lucid drip and drift of paint in Francesca Bleay\u2019s<\/a> paintings, Audrey Corbelli\u2019s<\/a> primal abstractions, and Tatiana Leony\u2019s<\/a> phantasmagoric, flame-lit scenes. <\/p>\n\n\n\n

These artists are very different from each other, but each swims in the currents of contemporary art. Through distinctive uses of colour they examine nature as the visionary opening onto the future: great themes of the times. <\/p>\n\n\n\n

Previous Curated Collections<\/a> can be viewed here<\/a> <\/p>\n\n\n\n

\"\"<\/a>
Cold lake view 
By Yasmin Davidson<\/a>, \u00a3450<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Circle of life (2021)
Kaiying Cai<\/a><\/em>, \u00a31200<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Happy Hippie Home 
By Ed Saye<\/a>, \u00a33250<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Vision of a Dreamer 
By Nicola Wiltshire<\/a>, \u00a3300<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Madder and violet\u00a0
By\u00a0Charlotte Brisland<\/a>, \u00a3320<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
View from Calamazoo (Content district,St Elizabeth Parish,Jamaica)\u00a0by
John Butterworth<\/a><\/em>, \u00a3650<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Garden Sculpture\u00a0
By\u00a0Jamie Baker<\/a>, \u00a3300<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
New Horizon\u00a0
By\u00a0Samantha Wilson<\/a>, \u00a3175<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Traced\u00a0
By\u00a0Heather Carr<\/a>, \u00a3175<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Full Moon\u00a0
By\u00a0Coral Churchill<\/a>, \u00a3175<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Threshold\u00a0
By\u00a0Francesca Bleay<\/a>, \u00a3860<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Long-Go (Framed)\u00a0
By\u00a0Henrietta Clavering<\/a>, \u00a3850<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
The Walk VII (Framed)\u00a0
By\u00a0Henrietta Clavering<\/a>, \u00a3350<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Betula Pendula\u00a0
By\u00a0Inga Tilda<\/a>, \u00a3225<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Untitled Botany\u00a0
By\u00a0Evie Banks<\/a>, \u00a3300<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Another Time\u00a0
By\u00a0Sarah Chalmers\u00a0<\/a>, \u00a31800<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Rainwater\u00a0
By\u00a0Rosemary Burn<\/a>, \u00a3450<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Errigal\u00a0
By\u00a0Catherine Eckersall<\/a>, \u00a31200<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Timber Plantation 2\u00a0
By\u00a0Scott Whiteman<\/a>, \u00a3295<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Frothing For Green Apples\u00a0
By\u00a0Olivia Bartlett<\/a>, \u00a3450<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Front Garden\u00a0
By\u00a0Laura Gaiger<\/a>, \u00a3600<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Night Gums\u00a0
By\u00a0Sarah Chalmers\u00a0<\/a>, \u00a3200<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
I Like the Old Ways, I’ll Pret…
By\u00a0Isaac Aldridge<\/a>, \u00a31650<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Satsuma Sour\u00a0
By\u00a0Olivia Bartlett<\/a>, \u00a3250<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Ebbing Tide in the Estuary\u00a0
By\u00a0Sophie Baker<\/a>,
\u00a31800<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Pink Sunflowers\u00a0
By\u00a0Samantha Wilson<\/a>, \u00a3175<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
A Land of Streams\u00a0
By\u00a0Francesca Bleay<\/a>, \u00a3610<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Glenn Gorm\u00a0
By\u00a0Catherine Eckersall<\/a>, \u00a3425
<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Fields\u00a0
By\u00a0Laura Gaiger<\/a>, \u00a3580<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Layer 8\u00a0
By\u00a0Francesca Bleay<\/a>, \u00a3510<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
The Rape of St Non\u00a0
By\u00a0Michaela Hollyfield<\/a>, \u00a3525<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Isle of Berneray Cottage\u00a0
By\u00a0Yasmin Davidson<\/a>, \u00a3500
<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
City Sun\u00a0
By\u00a0Meri Croft<\/a>, \u00a3225<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Poppies\u00a0
By\u00a0Jamie Baker<\/a>, \u00a3300<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
17.02.19 Study VII Reimagined\u00a0by
Evie Banks<\/a><\/em>, \u00a3300<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Stockhill Wood\u00a0
By\u00a0Scott Whiteman<\/a>, \u00a3245<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Summertime\u00a0
By\u00a0Charlotte Serena Johnston<\/a>, \u00a3200
<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Bird in the bush\u00a0
By\u00a0Crimson Boner<\/a>, \u00a3945<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Is This Heaven ?\u00a0
By\u00a0Audrey Corbelli<\/a>, \u00a3400<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Fishermen ANT14n20\u00a0
By\u00a0Tatiana Leony<\/a>, \u00a34800<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"<\/a>
Moonlights\u00a0
By\u00a0Rosemary Burn<\/a>, \u00a3430<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

The future resides in the colours deployed by the artists curated here. Colours like an upbeat song, bringing you into a more vibrant moment.  See the earthly paradises of Ed Saye (see our profile on \u2018Happy Hippy Home\u2019), the lucid drip and drift of paint in Francesca Bleay\u2019s paintings, Audrey Corbelli\u2019s primal abstractions, and Tatiana Leony\u2019s phantasmagoric, flame-lit scenes.  These artists are very different from […]<\/p>\n","protected":false},"author":3,"featured_media":22309,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[325,1],"tags":[],"class_list":["post-22293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curated-collections","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/22293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/comments?post=22293"}],"version-history":[{"count":2,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/22293\/revisions"}],"predecessor-version":[{"id":22336,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/posts\/22293\/revisions\/22336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media\/22309"}],"wp:attachment":[{"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/media?parent=22293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/categories?post=22293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newbloodart.com\/blog\/wp-json\/wp\/v2\/tags?post=22293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}