{"id":18078,"date":"2022-01-22T21:17:28","date_gmt":"2022-01-22T21:17:28","guid":{"rendered":"https:\/\/newbloodart.com\/blog\/?p=18078"},"modified":"2025-05-28T01:04:26","modified_gmt":"2025-05-28T00:04:26","slug":"https-anchor-fm-newbloodart-episodes-introduction-to-the-podcast-episode-1-in-conversation-with-vikram-kushwah-e5fddm","status":"publish","type":"post","link":"https:\/\/newbloodart.com\/blog\/https-anchor-fm-newbloodart-episodes-introduction-to-the-podcast-episode-1-in-conversation-with-vikram-kushwah-e5fddm\/","title":{"rendered":"The Podcast: Conversations with Artists"},"content":{"rendered":"
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Listen to informal conversations – on a range of topics, between NewBloodArt founder Sarah Ryan and emerging artists. Subscribe to the podcast via Spotify, <\/a>Apple<\/a> or Anchor.<\/a><\/p>\n

Episode 9: Laura Menzies
\n<\/a>In this week’s podcast Sarah visits Laura Menzies<\/a> in her Cornwall studio. Based in Falmouth Laura reflects on environments that surround her as a painter: whether that’s solitude, or the amazing light of the Cornish coast – its mythic serenity that makes its way into her paintings. People often tell Menzies they find her work calming; some of her works hang in major buildings in London, with countless professionals passing them by each day.<\/p>\n

Before she was a painter, Laura was a dancer, which she connects to her method of making paint move across the canvas: visceral and dynamic. Laura speaks about this, her recent career highlights, and more..
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Episode 8: Sax Impey<\/strong><\/a>
\nSax Impey<\/a>\u2019s parallel careers as artist and sailor merge in his work, which brings the experience of the open ocean back to land through the medium of paint. Awe defines them: our perceptual and emotional response to the momentous. In this interview Sax talks about the importance of working on a scale larger than the span of arms outstretched, and his current impetus to work on a bigger scale. His exquisite descriptions of far-flung seas, and journeys through storm-ridden seas transfigured by maelstroms, evoke a crystallized relation between human consciousness and the natural world. The result is seascapes both fascinating and magnificent to behold, of this realm \u201cwe can\u2019t live in\u2026 only survive\u201d. Listen to the full podcast to hear more about Sax\u2019s studio overlooking Porthmeor beach in St Ives, traversing the globe by boat, and his process creating works that have consistently captured the imaginations of viewers, collectors and gallerists across the world.
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Episode 7: Keith Robinson<\/a>
\n<\/strong>\u2018History Revision\u2019 is the name of a new series of portraits by Keith Robinson<\/a>, featuring the same exquisite colour choices and compassionate treatment that won him second prize in last year\u2019s BP Scottish Portrait Awards. Looking back over his own history in this conversation with Sarah, Keith reflects on the importance of competitions for his unconventional path as an artist. Leaving school early, he travelled around the UK with friends, working various jobs. His intended A-level studies in maths, art, and physics \u2013 with an eye to pursuing architecture \u2013 would later, like his work in offices, come to bear on the subject that has made his career. <\/span><\/p>\n

It was, he says, a time of action, not over-thinking; a perseverance paralleled in the search for the perfect artistic subject. This proved to be the paintings of tower and office blocks that Keith has become known for, in addition to his portraiture. Buildings such as the old Birds Eye HQ on the Thames and Hannibal House of Elephant and Castle, those that populate this country \u2013 visible from motorways and inner cities alike. It clicked for him that such buildings can \u201csit like a canvas on the landscape; literally sit on the horizon\u201d and the result is a unique aesthetic, between representation and abstraction. Listen to the podcast<\/a><\/em> to hear more on how the formalism of Keith\u2019s subject offers him liberation as an artist, and how in life, as in art, he has always trusted the process.
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\nEpisode 6: Toni Cogdell<\/a><\/strong>
\n(Nov 2021)
\n<\/em>It\u2019s been over a year since our last Art Podcast\u2026 so I really enjoyed visiting <\/span>Toni Cogdell<\/a> in her home studio & chatting about the joys and challenges of her life as an artist\u2026 have a listen\u2026hope you enjoy. And we would love to know, what do you think about the idea of artists as shamans? <\/span><\/p>\n

Viewing Toni’s work in the context of this conversation provides a whole new depth of understanding – you can view all of her available work via her gallery page<\/a> on the website.<\/p>\n

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Episode 5: Steve Burden<\/strong><\/a>
\nSarah visits Steve Burden in his home studio in Somerset.<\/em><\/p>\n

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Episode 5 extract: Steve meets the Pope<\/strong><\/a>
\nSteve shares the story of when he met the Pope! Have a listen<\/a>, it\u2019s just a few minutes long and a good taster ahead of the full podcast which follows..<\/em>
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Episode 4: Sean Winn
\n<\/strong><\/a>Sarah meets up with MFA Fine Art graduate Sean Winn, over a coffee at Tate Britain. Sean graduated from Wimbledon School of Art. Here they discuss the life and challenges of starting out as an emerging artist.<\/em><\/p>\n

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Episode 3: Rosemary Lewis<\/a>
\n<\/strong>In this episode Sarah meets with emerging artist Rosemary Lewis and discusses her life as an artist. Including how her dance background, motherhood and her London allotment have all influenced her work… and about how she went online and taught herself to paint.<\/em>
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Episode 2: Ella Squirrell<\/a>
\n<\/strong>In this episode Sarah visits Falmouth School of Art graduate Ella Squirrell in her studio in Bridport, Dorset. Since graduating last year, Ella has thrown herself into life as a professional artist – in this podcast they discuss the journey so far..<\/em>
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Episode 1: Vikram Kushwah<\/strong><\/a>
\nBorn the son of a school teacher in rural India, Vikram\u2019s parents worked extremely hard to change the course of his life by providing him with a different kind of education and therefore life trajectory. In this conversation we discuss his memories and reflections and how his story has influenced his work. Extraordinary success over the last couple of years has seen Vikram win the Portrait of Britain Award 2018 and 2019 and a beautiful symmetry brings Vikram\u2019s work to The National Portrait Gallery with his series \u201cThe Education I Never Had” – which was selected for the Taylor Wessing photographic portrait prize. Vikram Kushwah’s story is inspiring and interesting  \u2013 I hope you enjoy it..  (excuse the ambient noise \u2013 especially at the start \u2013 recordings will be clearer moving forward) with thanks to Vikram for taking my photograph \u2013 which is the cover for this podcast episode.<\/em><\/p>\n

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