35 x 25 cm | 13 x 9 in
Subject: People
Original painting in oil on canvas.
"The White Cube is banal. I went to art school in London in the wake of the YBAs. We used to go on gallery trips around Mayfair and it didn't really matter what was on the wall, which is why my paintings aren't painted. I have left them as raw little squares of canvas, so you can imagine what he is thinking."
Read: A Day in the Studio of Nicola Wiltshire
Read more about Nicola's studio practice.
See Investable artists
Nicola Wiltshire joins our Masters section
Solo show at Paul Smith
Little Van Gogh Residency
Nicola Wiltshire’s paintings hold absorbingly bold forms, which immediately capture the viewers’ attention. She was listed as an artist to watch in The Guardian, has held 4 solo exhibitions, a number of group shows, received the Pittenweem Art Festival’s Bursary Award and a six-month Artist Residency at Halley Stevensons, who manufacture waxed cotton for clients such as Barbour from their Dundee factory. More recently, Nicola was selected as one of twelve artists to take part in a public art project in Dundee's West End, as well as being an invited artist for the Reformation Street Art Project, also in Dundee (both part of the city-wide regeneration following the opening of the V&A Design Museum). Her largest series of 2018, a collection of still lifes, has been particularly successful at capturing the tactile qualities of the fabric she paints on - her trademark style - in these paintings, fabrics such as Toile de Jouy, patterned linen and William Morris-inspired prints become decorative vases for high-pigment representations of house plants and seasonal wildflowers. These paintings, along with her portraits and landscapes, have attracted a loyal collector base; many of whom own more than one of these paintings in their collection. She continues to paint with integrity - using high quality oil paints, many that she makes by hand in her studio and is beginning to explore other traditional processes such as handmaking pastel crayons.