42 x 30 cm | 16 x 11 in
Original painting in oil pastel on paper,
"I think of this and other drawings in this vein as landscapes, but they could just as easily be thought of as still lives where the apples and oranges have been replaced with elements plucked from the tradition of romantic painting."
Drawing From Nowhere #71 13th October 2016
John Clark’s work forms unique interpretations of modern day identities. Plays of light, tone and shape give Clark’s work a contemporary feel whilst compositional values seemingly cede to the imagery of classical painting. This wide breadth of dexterity gives Clark’s work a unique impact which, in turn, extends the deliciously thought provoking effect of each effigy. There is something undoubtedly familiar about certain pieces. Clark has a captivating style, with underlying messages including the desolation and irony of the modern workplace ethos. Figurative depictions with clever illusions of space give a satisfying sense of depth.
Clark's paintings emerge and mark a pause; signals that something has been glimpsed and might be noted. That the carefully rendered models are figures, lends a complicating narrative dimension to work that might otherwise simply be about the play of light and shade across objects in space.