42 x 30 cm | 16 x 11 in
Original painting in oil pastel and pencil on paper.
"For the longest time I’ve drawn figures lifting, holding and carrying each other. The practice approaches a compulsion that I suspect is rooted in two things: A love of physicality – the sort of physicality found in modern dance and rugby, where bodies entangle and an embrace is never a simple expression of intimacy- and an appetite for narrative, which the bringing together of two figures inevitably gives rise to."
Drawing From Nowhere #74 16th October 2016.
John Clark’s work forms unique interpretations of modern day identities. Plays of light, tone and shape give Clark’s work a contemporary feel whilst compositional values seemingly cede to the imagery of classical painting. This wide breadth of dexterity gives Clark’s work a unique impact which, in turn, extends the deliciously thought provoking effect of each effigy. There is something undoubtedly familiar about certain pieces. Clark has a captivating style, with underlying messages including the desolation and irony of the modern workplace ethos. Figurative depictions with clever illusions of space give a satisfying sense of depth.
Clark's paintings emerge and mark a pause; signals that something has been glimpsed and might be noted. That the carefully rendered models are figures, lends a complicating narrative dimension to work that might otherwise simply be about the play of light and shade across objects in space.