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Just some quickies…

31st Aug 2010 | Subscribe via RSS

Very, very fortunately, I’ve landed a few commissions of late and these are keeping financial things ticking over. The requests are mostly painted reproductions of old photographs and other bits and bobs. I absolutely love doing these as they are the perfect way for me to break out of a certain mindset I have regarding my choices of objects. As I paint from nature there a some things that can be interesting to work out. For example, the tennis racquet. We’ll see how that goes. But recently I received a request to paint white roses. I thought that it would be fun and challenging. Yep, it was challenging, alright, especially as a good friend of mine noticed recently that alizarin crimson (which is great for tinting) completely disappears within a year. #%&*#!!!! Anyway, I hope to have my efforts posted soon. I had to try and capture the heads loosely in alla prima and give the rest of the image a fairly hazy effect without losing chroma and…

…I’ll post shots when I can, it’s easier to understand. The leather jacket’s coming on nicely, at last as are some other still life works. I found out that the way to improve at something (like still lifes) is to try and do things that are harder (portraits and landscapes – more on landscapes much later). Those make the prviously harder seeming things seem easier, of that makes sense. Anyway here are some little human head studies – a profile of me in pencil done with the aid of two mirrors. This was not easy for me, I must admit.  It’s funny what you notice whilst studying oneself as objectively as possible. My head’s shaped like a large peanut and I’ve got the ears of a munchkin.

Here’s a little biro doodle of  a ‘MOACOT’ head  it’s well rough but has a certain personality/feeling about it that I’m after so it goes into the scrap folder for later. and a detail of a small oil study for the same body at an underpainting stage – this time trying to get some colours right. Hmmm, if anyone’s got any hints, I’d be pleased to hear from them

This started out as a monochromatic study (which worked nicely) but then I just couldn’t leave it alone and now the words ‘flogging’ and ‘a’ and ‘dead horse’ keep echoing in my mind. That’s it for now,

Shaun

4 Responses

Dan
09th Sep 2010

Hi Shaun,

Are all your figures based on looking at or remembering a life model? Or do you ever use photographs, old newspaper images to work from?

Shaun Day
10th Sep 2010

Hi Dan, unless it’s a commissioned work, all the figures and portraits are from life. There are quite a few studies for intended future works that I try to do from either earlier sketches or memory, but I’ve found that with these I lack so much information in detail. So they’re really works that I play around with, like jigsaws – trying to get all the pieces to match. Out of interest, why do you ask?

Dan
15th Sep 2010

Hi Shaun,
I’m not sure why I ask, I just find it interesting to find out about different processes that artists use. Also, it makes me think about how memory works. So you feel you remember ‘better’ from a 2d image or from life? And to the resulting works have a different quality?

Shaun Day
22nd Sep 2010

Hi Dan,
Sorry for the delay. I don’t know if I remember better from a picture or life. I have noticed though that if I’m to work from memory or a ohoto that the ensuing result is not as interesting or as worked out as painting from life. Painting from life is a bit more challenging but immesurably more rewarding. Do you paint?

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