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Posted February 1, 2011 by Shaun Day

Ughh…

…The dreaded influenza that has been harrying me for the last two-and-a-half weeks is gradually abating and now I’m back at work trying to catch up. I’m still Frank Boughing like a good’un though. My good friend and colleague Anja Percival (Printer Extraordinaire) seems to suggest that it was a much needed break. Hmmm, I’d rather [...]

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Posted January 30, 2011 by Shaun Day

It’s the little things…

After much a-fussing and a-dithering, there is some light at the end of the tunnel with this one. Last year,  a good mate told me to look at the white walls in Vermeer’s paintings – alas, I haven’t been near one, but it’s funny how these types of comments and remarks stick in your head. Hours [...]

Amd Then The Sun Came Out - Profile Study lo-res 
Posted December 13, 2010 by Shaun Day

Gordon Bennet II

Ok, I looked long and hard at  the beginning stages of my last profile study and decided to scrub part of the kerchief. Had to take the ground down, too in order to reconstruct it evenly. A bit of scumbling should take care of cooling it out. Now I hope it looks like I’ve a [...]

And Then The Sun Came Out Study (detail) lo-res Oil on linen on panel 2010 
Posted December 2, 2010 by Shaun Day

Gordon Bennett…

…After an exhibition it takes me about two weeks to calm down emotionally enough to be able to start working again. I know this, I remember this clearly from previous experiences. However, something within me is compelled to start painting as soon as possible after a show and as a result, I’ve almost ruined about three [...]

Self portrait detail Sept-Oct 2010 Oil on canvas 
Posted November 1, 2010 by Shaun Day

…Mind you…

As you can see, painting  self-portraits from life can leave one (i.e. me)  ’flummoxed’. And it’s not just the ‘fro that’s a looking a little rough. Hopefully, the old adage will ring true ‘A painting only needs to look good once - when it’s finished.’   This is the current state of a small painting  (250mm x [...]

Is This England - In Honour of Miss Clarke 700mm x 500mm Oil on canvas 2010 Unvarnished 
Posted October 13, 2010 by Shaun Day

…But then, again…

I had a brilliant chat with my studio mate Pia Løye, last week. We gave each other about fifteen minutes to talk about about the strengths, weaknesses, what’s missing, or overstated in our work and dive into the ideas of our ambitions regarding our paintings. As we’ve been regularly seeing our works develop over the last [...]

Is This England - Right As Ninepence 165mm x 165mm Oil on panel 2010 
Posted October 4, 2010 by Shaun Day

And for every loss…

Hello, again. I’ve been right ticked off recently because (amongst other things) of the amount of surfaces that I’ve had to either throw out (out of utter, utter frustration) or sand down and restart (due to realising that I’ve only so many surfaces left to work on). I’ve found out that being quite patient with oneself  is, [...]

tooma looma looma 600mm x 400mm oil on canvas 2010 
Posted September 23, 2010 by Shaun Day

With every gain…

…There seems to be a loss. Or three. Sometimes four. At the moment, it seems that I’m screwing up three or four surfaces for every painting that gets finished. There’s part of me that wants to say that my standards of finish are getting higher, therefore the critical standards are rising. Probably though , ’somebody’s’ trying to [...]

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Posted September 16, 2010 by Shaun Day

Toodle um looma

Sometimes, the lyrics of a song come to me while I’m developing a painting. With this one, which is to be further fleshed out, Flanagan and Allen’s ‘The umbrella man’came out of the ether and hooked itself onto this work. ‘I darn a sock I’ll mend a clock An apple cart A broken heart I [...]

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Posted August 31, 2010 by Shaun Day

Just some quickies…

Very, very fortunately, I’ve landed a few commissions of late and these are keeping financial things ticking over. The requests are mostly painted reproductions of old photographs and other bits and bobs. I absolutely love doing these as they are the perfect way for me to break out of a certain mindset I have regarding [...]

New Blood Art Blog

Welcome to our blog. This is a space where you can find observations, thoughts, considerations and information - voiced in a personal way - from the perspectives of our artists, and from each other. Making art can sometimes be a lonely practice, particularly for artists who are starting out. Our artists very much value your comments about the artwork they exhibit on Newbloodart, as well as the opportunity to build a relationship with you. So please feel free to respond briefly or at length to whatever you find here.*

Our artists use this space to write about everything from the frustrations of work; exhibits that inspire; radio programmes enjoyed; technical problems to be resolved; difficult decisions about what to show, and just when a piece can or must be called finished. They sometimes use it to publicize exhibitions and talks; to publicly resist the need for a consistent style; to make unusual analogies, comparisons and connections (and, occasionally, to make embarrassing admissions). Click on the artists below to follow their strands.

We look forward to reading what you think.

Contributors

Rebecca Fontaine Wolf’s Maxine in the Morning - Rebecca Fontaine-Wolf’s work attracts attention; the artist was selected for the...

New work and news - It’s been a while since I last posted. I haven’t been idle though, just developing...

Surrey Open Art Competition - Whilst little has been written much has been happening. I have been working hard...

The Internet Issue - If I make an artwork with images of my children and post it on the internet, do...

SONGS OF INNOCENCE AND EXPERIENCE - Fleur Darkin and her dancers were developing 'Songs of Innocence and Experience'...

An informative talk at the Tate - Last week I went to the annual BP lecture at Tate Britain which this year was by...

Paul Bennett Review - I've just had this great review written on the a - n website. Full review below...

Oslo & Beach - In 2011 I took a short trip to Oslo and naturally took lots of photographs, now...

The making of a small painting – part two - Here's the second half of my post about making one of my small paintings.  You...

some experiments with sunlight - Some photos of the sculptural drawing I am currently working on. As today is a sunny...

Visiting friends’ studios - Last weekend I went to see my friend Iain Herdman's studio over in Woolwich as Second...

More about the Colour of Music - As my residency progressed, I began to get more and more interested in drawing in...

Coming back to me myself and I. - I am about to go off on a rather self indulgent rant and I am not sure how much...

Brilliant news. - Just received the brilliant news that I've a work accepted for exhibition at The...

Good at Looking (Looking good and Good looking) - We read words left to right for example, you’re doing this now. It is the formula...

Haunted Houses - I've recently returned from an artists' residency that I've attended for the last...

- A new gallery - Galleries Goldstein at Goodhood - is opening on the 28th July....

The Environment - How does where you live influence your art if you're not specifically a representative...

Coming To America - I’ve been making mixed media paintings and jewellery for just over three years...

interview - I am so excited to share with you an interview about my work for Pikaland. About...

Mass-Produced Sentiments - So this is my first ever blog and I feel this immense pressure to say something...

Norfolk - After taking part in a series of exhibitions over the last few months, my time tightly...

Persephone 1-6 - After a couple of weeks of wrestling with a colour palette, I seem to have made...

Video Sketches - Inspired by the work and blog of Jeff Sher and by my frustration with the length...

In the beginning God created blogs - This is the first time I've attempted blogging. I'm somewhat of a Luddite at heart...