03rd Sep 2015

Artwork in-situ: Agata Czeremuszkin-Chrut


“In art, I value freedom above all – my own and that of the recipient. I avoid over intellectualisation, I don’t pierce my art with a gibberish relay of socially or politically correct information. I also leave viewer with the freedom of interpretation. I don’t try to be literal, I leave most things unanswered often by choosing a suggestive title – still enigmatic, but slightly directing the viewer to my train of thought.”
Agata Czeremuszkin-Chrut

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23rd Nov 2022

Artworks in collectors’ homes

Talking with artist Nicola Wiltshire recently she mentioned how it completes the journey of a work to see a piece in its final home. It's so great to...

15th Jul 2022

Art Consultancy at New Blood Art

We offer both art advisory and consultancy services. We curate collections of original art for clients from our roster of emerging artists, as well as...

13th May 2022

Framing Your New Original Artwork

It can feel like an intimidating affair – but it doesn’t have to! As almost all works are sold unframed here at the gallery, there is a lot of room...

01st Feb 2022

That Which You Hold, Holds You

Charm, character and sentimentality are the abiding design principles of Colette LaVette. The life project of her home has the preoccupations of her life...

26th Apr 2017

Artwork in-situ: Lindsay Mapes

04th Jan 2016

Artwork in-situ: Keren Luchtenstein

(above) Keren Luchtenstein's 'Princess Shoes' painting in Paul Smith's flagship store New York.  

17th Nov 2015

Artwork in-situ: Joanne Hummel-Newell

      

11th Oct 2015

Artwork in-situ: James Matthew O’Connell

James Matthew O'Connell is an exciting graduate artist. We came across his work at his BA show this year (2015) at Wimbledon College of Art. He’s made...

07th Oct 2015

Artwork in-situ: Orlanda Broom

GA Design International won Best Design for Cafe Bar/All Day Dining in The European Hotel Design Awards and here's part of the write up which mentions...

03rd Sep 2015

Artwork in-situ: Electra Costa

"When we first look at an object or image it is already etched with our own personal meaning. That meaning is impossible to remove; it is permanently...